Archive | февраля, 2012

ICADE Office Interior by Landau + Kindelbacher

Landau + Kindelbacher Architects have designed the interior for ICADE in Munich, Germany.

Description from the designers:

The implementation of the company philosophy in architectural corporate identity is reflected not only in the entrance lobby, the cafeteria, the conference areas, the auditorium, and the management areas, but also in the design of the workplaces. The new style emphasizes perfectly the company’s slogan – quality in everything we do. The open character of the building is enhanced by bright, elegant colors in the entrance hall. The use of wood, natural stone and Corianas a recurring design element produces a natural, warm atmosphere.

The design concept runs through the entire object; even the elevators are lined with natural stone, and the facades of the entrance hall are adorned with it. As the dominant color, a strong Bordeaux red was chosen for carpets and leather coverings to provide a contrast to the partially illuminated white and the warm wood tones. The auditorium is one of the gems of this object, providing a successful symbiosis between the Corian as the enclosing casing for the interior and exterior and the use of warm wood and technical fabric wall covering for the interior. The library also deserves attention with its division into reception, reading, and lending areas. The cafeteria exudes a friendly, open character: both the choice of colors and the furniture invite visitors to linger.

Visit the Landau + Kindelbacher website – here.

Photographs © landau + kindelbacher / Christian Hacker or Werner Huthmacher

Tribal DDB Office by i29 Interior Architects

29 Interior Architects have completed an office design for Tribal DDB in Amsterdam.

Description from the designers:

Tribal DDB Amsterdam is a highly ranked digital marketing agency and part of DDB international, worldwide one of the largest advertising offices. i29 interior architects designed their new offices for about 80 people.

With Tribal DDB our goal was to create an environment where creative interaction is supported and to achieve as much workplaces as possible in a new structure with flexible desks and a large open space. All of this while maintaining a work environment that stimulates long office hours and concentrated work. As Tribal DDB is part of an international network a clear identity was required, which also fits the parent company DDB. The design had to reflect an identity that is friendly and playful but also professional and serious. The contradictions within these questions, asked for choices that allow great flexibility in the design.

Situated in a building where some structural parts could not be changed it was a challenge to integrate these elements in the design and become an addition to the whole. i29 searched for solutions to various problems which could be addressed by one grand gesture. At first a material which could be an alternative to the ceiling system, but also to cover and integrate structural parts like a big round staircase. Besides that, acoustics became a very important item, as the open spaces for stimulating creative interaction and optimal usage of space was required.

This led us to the use of fabrics. It is playful, and can make a powerful image on a conceptual level, it is perfect for absorbing sound and therefore it creates privacy in open spaces. And we could use it to cover scars of demolition in an effective way. There is probably no other material which can be used on floors, ceiling, walls and to create pieces of furniture and lampshades then felt. It’s also durable, acoustic, fireproof and environment friendly. Which doesn’t mean it was easy to make all of these items in one material!

Visit the i29 Interior Architects website – here.

Barcode Office by Ministry of Design

Singapore-based Ministry of Design have completed the design for their own studio.

Description from the designers:

Inhabiting 6 converted shop house units at the confluence of Singapore’s historic Chinatown area and the CBD, MOD’s own design studio employs the same key principles which govern its approach to design – typological relevance, a disciplined material and tonal palette and an ‘essentialised’ concept. In searching for a locale to base its creative endeavors, we were determined to find a building large enough to accommodate our entire office on a single floor. We feel strongly that open communication is key to innovation and creativity; as such, our space would be without hierarchy or barriers, a truly open office.

The linear series of spaces within the studio are choreographed in between the perimeter of twin datum lines – which form circulation axes spanning the entire space. Mirrored terminus points elongate these axes and become daily ‘catwalks’.  Resembling a barcode, a series of mixed program are position along these catwalks and range from gallery space, meeting spaces, open plan desks, hot desk discussion zones to a library.

All new interventions are conceived as objects within the landscape of the existing space and are designed to remain visually separated. The entry Gallery space allows for constant renewal and an avenue to express ourselves without needing to reinvent the entire studio.

Our work areas are intentionally pure black and white, which allows us to tackle the wide array of creative explorations against neutral foil. The library is finished in an unfinished timber and tectonically, it provides a more relaxed environment as a counter point to the rest of the space.

Visit the Ministry of Design website – here.

Shoesme Shop Interior by Teun Fleskens

Dutch designer Teun Fleskens designed the interior for this Shoesme shop.

Description from the designer:

The purpose of the concept is creating a totally flexible interior that consists of basic elements, the dice. The dice have more than one function. For example, 1 die is at seating height, 2 dice together creates table height and three dice provides a standard bar height. When Shoesme participates at a fair, the dice are being used to build up their stands. After this event, the stands are literally given away, therefore creating a double function as a promotion tool.

Visit Teun Fleskens website – here.

Photography by Michiel Maessen

VIP WING Lounge by Erich Gassmann and Tina Aßmann

Erich Gassmann and Tina Aßmann have designed the VIP WING Lounge at Munich Airport in Germany.

Munich, at the heart of Europe, combines the multifaceted state of Bavaria with unspoiled countryside and the pulsing life of a modern city. Between future and tradition – not a contradiction in terms but an expression of a special lifestyle, the unmistakable, unique identity of land and people whose landscapes are characterized by the impressive alpine panorama, mountains and plains, narrow valleys and natural riverscapes.

The VIP lounge is a modern implementation of a special identity, skillfully uniting progress and tradition. It can be experienced with all the senses: haptically – in the use of native woods, typical Bavarian materials such as loden, felt, leather, and broad oak planks; and visually – with maximum use of daylight, selective views of the famous white and blue Bavarian sky, and the proposed beer garden.

And the result? An island of peace and tranquility in the turbulent working day, a snatch of holiday between appointments, a perfect work oasis equipped with the latest technology, international flair with a Bavarian accent.

In the south wing of Terminal 1, guests have 1,200 square meters at their disposal, consisting of four separately usable suites, a central lounge area with gastronomy, business corner, and separate workrooms, rest area, showers and changing facilities, an interdenominational prayer room, as well as a smoking corner. The room conveys a feeling of the alpine mountain world. The falling and rising room recesses determine the conception of the room. The requirements on material and workmanship are manifested at different levels – from the oak-clad doors with their hand-finished brass fittings, the solid wooden tables carved from a tree trunk, to the sensual experience of the fragrant Swiss pine in the relaxation room.

In the reception area, the traveler is greeted by a typically Bavarian motif: a wall of untreated larch shingles covering the rear panel of the reception counter, which is developed out of the dynamically shaped wall.
The primary way from the entrée leads to the bar and a casually furnished area with a bench. From here, one can see into the depths of the lounge with its alcoves and recesses. The casual furnishing in fresh shades of green corresponds with the wool-covered bench and the elegant copper cladding of the rear wall of the bar.
Comfortable leather sofas and armchairs in the second lounge also invite the traveler to linger awhile. Even from the smoking corner opposite, the large glass window provides a view of the runways. Hand-finished tables of solid ash with finger joints represent Bavarian craftsmanship.

But the lounge offers not just relaxation: the Schloss Neuschwanstein Conference Suite provides meeting facilities for up to 10 persons. Under the slogan “Laptop und Lederhose”, alpine motifs such as the solid split-wood wall cladding are combined with the latest conference technology. The complete media technology, with video projector, electrically activated screen, and dimmable lighting, are integrated in the ceiling made of shaped lamellae.

In addition to relaxation at the bar or in the suites, the business corners offer a suitable atmosphere for quiet, subdued work and communication. Alcoves cut into the wall, with felt-cushioned niches and solid-oak tables, are equipped with all the necessary connections for the latest means of communication.

Those looking for a more dignified ambience for a meeting or a business dinner will feel at home in the Schloss Schleissheim Suite. This is connected to the Schloss Neuschwanstein Conference Suite by a concealed door and is flooded with light, providing an ideal supplement to the formal meeting. The wall linings of fine velvet, room-high semitransparent curtains, and furniture of oiled walnut, leather and textiles, and Bavarian accessories such as a set of real deer antlers, ensure a cozy, warm atmosphere. The corrugated lamella ceiling (with an individual design in every suite) emulates the typical, gentle Bavarian hill landscape. Suspended ceiling lamps and the decorative lighting complement the spotlights integrated in the ceiling.

The Schloss Linderhof Suite contrasts with a private bathroom, lounge and working area. Organic forms of free furnishing and illumination, and the floral wall lining of velvet in strong shades of pink, contrast with the historical portraits of the royal family.

The generous-sized VIP bathrooms are wellbeing for the soul. Selected materials and colors in the different sanitary areas ensure the necessary dose of relaxation during a travel break. In the ladies’ bathroom, for example, a freestanding, oval, conical washstand grows out of the floor as the center point of the room. The fine pattern of mosaic tiles in a variation of aubergine shades covers the furnishings and is continued on the floor and walls. A surrounding strip of mirrors optically enlarges the room and is loosened up by the circular, three-dimensional “light bubbles”. The spirit of King Ludwig II is everywhere. Even in the men’s bathroom, the King can be seen in an oil portrait, hunting astride a horse.

The lounge can be accessed both from the airport apron and from the land side through a separate security area. The reception is connected to the administration and staff areas for the lounge personnel.

At the official opening, airport boss Dr. Michael Kerkloh emphasized the high level of functionality of the ultramodern, technical equipment of the VIP lounge and in particular “the Bavarian local color combined with timeless elegance and friendliness”. He said he was convinced that with its VIP WING, Munich airport now has an exclusive comfort zone meeting the highest demands if its guests at all times.

Photography © Florian Holzherr, München

DDB Office Interior by BBFL Design

BBFL Design created the interior for the DDB advertising agency in Singapore.

 

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DDB Office Interior by BBFL Design

As one of the world’s leading advertising agency, DDB have found a new home at Pico Creative Center in Singapore occupying 2 floors of 100 square meters each. BBFL were appointed as the architects to understand, interpret and create a workspace that embodies DDB’s dynamic working culture.

The design process began with observing the designers at DDB work as a diverse group which involves a high level of discussion, debate and intervention sessions amongst each team with a common goal of achieving a creative solution for their clients. Group discussion activity was crucial for the team where workspace becomes a social network area rather than a confined individual space.

The design process has allowed us to create a bridge between two disciplines which played a huge role in the concept development of the entire DDB environment creating a conspicuous identity.

The workspace concept that revolves around DDB’s office wasn’t just about its corporate colors or even the branding of its company but create a collective space that leans towards the culture of the people in DDB itself. This lead us to create spaces in which improves and promotes inter-connectivity between creative individuals. To enhance this notion, spaces within the work environment weren’t crafted out with walls or any form of concealed demarcation, compositing to an open office setting.

Territories are divided and screened by discussion and collaborative areas within the office. The aim was to enhance the current culture and to encourage a more lively work space, which will ultimately improve a better work flow. The workspaces are designed as long communal tables supporting an open office environment. We design spaces that allow these communal areas to be part of the workspace. Discussion bars are dispersed within team work areas. Even libraries and the staff pantry spanning across both floors were used as collaborative spaces for discussions

Conference rooms were meant to be flexible and open where staff would frequently occupy for internal presentations and brain-storming sessions. Gym-like staggered benches were introduced for audiences to participate in these sessions. Arrival lobbies on the other floors were treated with interactive projection of the collection of works that inspired DDB and a source of expression for the staff.

The spaces were intended to be open, flexible and inspiring where staff could express themselves freely.

DDB as clients, has been a project which involves cross-disciplinary professions, allowing us as designers to push the forefront of art & design as a holistic approach.

Visit the BBFL Design website – here.

Astral Media Office Interior by Lemay Associés

Lemay Associés designed a new office interior for Astral Media in Montreal, Canada

Description from the designers:

Astral Media relocated approximately 350 employees to four (4) floors in the heart of the action in downtown Montreal. The goals of this large-scale project included elaborating new furniture standards, fitting up flexible meeting spaces and optimizing employee interconnectivity in a contemporary, energetic and versatile working environment.

Based on the client’s four different business units (radio, television, advertising and digital media), our concept was inspired by key broadcasting industry words such as influence, communication, movement and exchange. The concept plays on the contrast between the medium and the message and manifests itself by means of undulating and pixelated graphic interventions.

The project’s main challenge consisted in guiding the client’s transition toward a youthful and modern image and accommodating a large number previously dispersed employees in a single open and standardized space.

Aside from workstations, we fitted up a main reception area, various meeting spaces (conference and meeting rooms, agora, etc.) as well as common services (dining room, lounge, café, copy centre) on each floor. In order to create a rhythm and a gradation throughout the playful 6,000 m2 space, each floor was identified with its own colour and the levels were linked by a central glass staircase.

Astral Media’s new flexible, functional and bright premises provide a human working experience and favour communication between employees.

Visit the Lemay Associés website – here.

Photography by Claude-Simon Langlois

Sergio Rossi Shop by Younes Duret Design

Younes Duret Design have created a shop interior for Sergio Rossi in Casablanca, Morocco.

Sergio Rossi and Wallpaper* magazine continue to collaborate on the Men’s Footwear World Tour announcing the opening of the next location in Casablanca.

Following resounding success with the first stop on the Men’s Footwear Tour in Brera, Milan’s most stylish district, Sergio Rossi launched a second men’s shoe store in Galeries Lafayette Casablanca on December 2011.

The World Tour concept has been inspired by the essence of the ‘Sergio Rossi’ man – an independent, free-thinking, seductive man and importantly, one who is on a constant journey of discovery. It is in Milan that the journey began in 2010 – with the launch of Sergio Rossi’s first concept store. Situated in fashionable Brera, the store showcases the entire men’s collection designed by the Creative Director of the brand, Francesco Russo. In 2011 the tour continues.

The next ventures on the grand tour will be developed along with a rising design star in each country, to create the environments, local vernacular and an understanding of heritage being an imperative part of the experience and journey. “Morocco, a Mediterranean country, both geographically and cultural, is a country where garment is great with refined kaftans and colourful djellabas, where craftsmanship is particularly rich and architecture is majestic” comments Younes Duret, the French-Moroccan designer of the store in Casablanca. He combines strong Moroccan ethnicity with a creative transgression to design a liberated and inspiring space. The motifs Duret has used are a modern inflection on an ancient form, as he creates a composition consisting of a mantelpiece of a repeated 3-dimenionsal oriental pattern as the platform for the men’s shoe collection.

“We apply creative transgression to make the space more free, liberated, inspired, through shifts in proportions, the materials and colours used, the extra detailing and the high-quality craftsmanship” according to Duret, in response to Creative Director Russo – “we steer clear of the conventional, we decry the formulaic, we re-invent the classic. We reject the outdated cliché – we champion the stylish man’s right to look elegant”.

Visit the Younes Duret Design website – here.

Photography by Alexandre Chaplier

P.S. Restaurant by Golucci International Design

Golucci International Design have completed the P.S. Restaurant in Beijing, China.

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Visit the Golucci International Design website – here.

Photography by Sun Xiangyu

PKO Bank Polski by Robert Majkut Design

Robert Majkut has completed the interior design for PKO Bank Polski Private Banking in Poland.

Description from the designer:

The starting point for this project was Bank’s corporate identity developed by White Cat Studio, above all the modernized logo of PKO Bank Polski in its elegant color version for Private Banking sector – black, white and gold, which created a set of basic colors for the interior. Other graphical elements were also inspiring – in particular one decorative motif consisting of a grid of elegant, sinusoidal lines, consistently applied in the graphic design for the PKO Bank Polski Private Banking.

The theme of delicate grid was treated in a very innovative way – a bi-dimensional pattern was completely transformed by introducing an additional dimension: it was made spatial by being projected on the tri-dimensional model of the interior. To achieve this effect special software for parametric design was used, which allowed for the creation of a complex and ordered structure formed as a transformation of the subtle grid of lines converging in one abstract point. This complicated geometry setting has become a model to be filled with interior design solutions.

As a composition it is coherent and complete, being a real challenge at the stage of realization. The final effect is a balance between purely aesthetic choices and a mathematical order, accepted by the designer, yet generated by software that was treated not only as a tool, but as a creative factor. It is a kind of metaphorical code which presents the character of the institution and its services, being a mix of mathematical analyses and human element of experience, knowledge, and decision making process.

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Visit the Robert Majkut Design website – here.

Photography by Szymon Polanski